DZO FILM Arles Prime 21mm FF/VV Prime Cine Lens ARRI PL Imperial Sony Red DZO DZO-SAP21IPL 842463102835

Brand: DZO
Product Code: DZO-SAP21IPL
Availability: In Stock

$3,057.67

Description
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Key Features

Covers Full Frame Sensors | T1.4 to T22
Painterly Look with Rich Natural Colors
0.8 MOD Gearing | 270° Focus Rotation
95mm Front Outside Diameter
Interchangeable PL Mount
16-Blade Iris, Smooth Circular Bokeh
Soft, Low-Contrast Look at Wide Aperture
Immersive Look with Minimal Breathing
Dual Focus Marks in Feet and Meters
Robust Aluminum Alloy Build

Cinematic, Painterly Look

Equip your full-frame ARRI PL-mount camera with the Arles 21mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.

Large-Format Coverage The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras. The resulting increase in light transmission creates enhanced depth and dimension in your images.

Painterly Rendering

Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.

Minimal Breathing and Aberration

Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.

Interchangeable PL Mount

This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.

Consistency Across Series

A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.

UPC: 842463102835

Speeding Towards Cinematic Visual Brilliance

14 | 18 | 21 | 25 | 35 | 40 | 50 | 75 | 100 | 135 | 180 mm
T1.4-T2.4 | VV / FF

The Arles Prime lens series draws its name from the picturesque town of Arles in southern France, a cherished source of inspiration for the artist Vincent van Gogh. Renowned for its abundant sunlight and vibrant colors throughout the seasons, Arles catalyzed van Gogh's departure from conventional artistic styles.

DZOFILM's Arles Prime series, with its T1.4 fast apertures, captures the dynamic interplay of light and shadow, igniting fresh possibilities for artistic expression and cinematic creativity.

Unparalleled Spatial Visual Impact

This High Speed Prime Cine Lens - Arles Series - covers Vista Vision sensors with a 46.5mm image circle, providing greater light transmission for enhanced depth and dimension in your visuals. This results in broader, more immersive images with rich detail. T1.4 aperture and unique field curvature design offer exceptional focus control, creating a three-dimensional visual experience with smooth transitions between in-focus and out-of-focus areas.

High-Speed Prime
for Ultimate Visual Quality

With its T1.4 ultra-wide aperture, the Arles Prime provides ample light intake, excelling in low-light and complex shooting conditions, since it captures images quickly in low-light conditions, reducing exposure time and increasing shutter speed. This high-speed lens for shooting creates stunningly dreamy shallow depth of field, precisely highlighting every narrative detail, especially under low light.

At wide-open aperture, the lens ensures even brightness transitions and clear rendering of intricate light and shadow details. This fast glass supports high frame rate shooting without compromising image quality, producing smooth and exquisite cinematic footage cinematographers demand.

Crafted Precision for Immaculate Clarity

Using advanced multi-layer nano-coating technology, the Arles series features a specially calibrated blue coating that ensures precise flare control with minimal stray light and ghosting, plus exceptional color accuracy across the spectrum.

For cinematographers, this means total control over your flares when shooting into light sources, while maintaining rich, true-to-life color rendering that holds up even in challenging lighting conditions. The specially calibrated blue coating ensures natural color reproduction, delivering a modern yet distinct look that enhances the immersive quality of the imagery.

This entire T1.4 cine lens series incorporates a protective coating on the front lens element to resist dust and dirt accumulation, ensuring high light transmission and consistent optical clarity.

The internal lens structure utilizes sandblasting and anodizing techniques to create a micro-level anti-reflective coating with ultra-low reflectivity, reducing diffuse reflections. Even when shooting directly against the light, the lenses deliver clean and sharp images.

Across the entire focal range, these high-speed lenses maintain consistent color temperatures of around 5000K, faithfully reproducing vivid, true-to-life colors and presenting a natural, neutral visual style for video production.

Cinematic Depth with Painterly Rendering

The Arles Prime boasts 16 aperture blades, delivering delightful circular bokeh and ensuring smooth transitions between in-focus and out-of-focus areas. At maximum aperture, it presents a soft low-contrast look, while slight swirling bokeh on the periphery adds a distinctive characteristic to the image, enhancing the emotional depth of each frame.

The built-in floating lens elements substantially minimize aberrations during focusing transitions from infinity to close-up, improving optical performance. Its minimal breathing immerses viewers in each frame, amplifying the emotional impact of the scenes.

Exquisite Optics
Superlative Performance

The Arles Primes achieve remarkable image quality through rigorous optical design, ensuring consistent high resolution while meeting the demands of high-end cinematography.

The 14mm, 18mm, 21mm, and 25mm lenses each incorporate two aspherical elements (including one 50mm large-diameter aspherical element), which improves image quality in low-light conditions. With micron-level precision manufacturing, these lenses maintain a lightweight and compact form while effectively correcting spherical aberration and coma, reducing onion-ring bokeh, and minimizing wide-angle distortion and astigmatism.

The entire series uses low-dispersion optical materials to precisely suppress chromatic aberration, resulting in exceptional optical performance.

Comprehensive Focal Range
for Diverse Creation

With a comprehensive set of eleven lenses covering ultra-wide, standard, and telephoto focal lengths, the Arles series caters to a wide range of shooting scenarios while maintaining consistent visual aesthetics.

[ DZOFILM Arles Focal Length Coverage ]

*Charted based on Vista Vision format, actual results may vary.

Compatible with larger format sensors, it offers coverage for medium format cameras such as the Fujifilm GFX 50S (43.8 × 32.9mm format) with focal lengths ranging from 25mm to 50mm, as well as large format cameras like the ALEXA 65 (54.12 × 25.59 mm) with focal lengths from 75mm to 180mm, satisfying the diverse needs from independent filmmaking to large-scale film production.

[ DZOFILM Arles Format Coverage ]

*Example shot with the 50mm lens on the Fujifilm GFX 50S

Robust Mechanical, Smooth Workflow

The Arles undergoes thorough testing to ensure structural integrity. With micron-level precision, this wide-aperture prime lens guarantees smooth operation of the focus and aperture rings for precise focusing and accurate exposure.

100,000Times

Fatigue Testing

1,000hz

High-frequency Vibration

The dual interchangeable imperial/metric focus scale design facilitates quick switching, meeting diverse needs.

Compact Design for Seamless Integration

Designed to work seamlessly with industry-standard cine accessories, it includes a uniform front diameter of 95mm and an 86mm filter size over the whole range.With a standard 0.8 MOD gear pitch design and consistent positioning of focus and aperture rings across the series, lens and accessory swaps require no readjustment, greatly enhancing on-set efficiency. Except for the 135mm and 180mm, all lenses maintain the same body length, further simplifying equipment changes.

95mm

Front Diameter

86mm

Filter Size

0.8MOD

Gear Pitch

1.4kg~1.9kg

Weights

The lightweight, compact design (weighing between 1.4 and 1.9 kg) allows for easy integration with gimbals, stabilizers, drones, and Steadicams, such as DJI Ronin 2, Freefly Movi Pro, and ARRI Trinity. With the diverse compatibility, it opens limitless shooting possibilities, including handheld, vehicle-mounted, shoulder-mounted, and aerial shots.

Flexible and Inclusive for Unlimited Innovation

1.5cm short rear part design allows Arles lenses to adapt flexibly to PL, EF, and LPL mounts such as ARRI Alexa Mini LF, RED V-Raptor, Canon C400, and Sony VENICE 2. Its compatibility with KOOP magnetic rear filters and various optical adapters, opening up a wide range of creative possibilities.

What sets the Arles Primes apart is their ability to achieve an IMAX-like depth of field at T/1.4.

Matt Bendo CSC, AIC

Cinematographer

"The combination of the Arri Alexa LF and these lenses allows for a depth of field comparable to that of large format lenses used on 65mm cameras, but with the added benefit of a faster T-stop. The images have a painterly quality and perform incredibly well wide open at T/1.4, making these lenses feel like a vital part of my creative toolkit, allowing me to tell my stories with unmatched visual impact."

Parameter

Focal Length	14 mm	18 mm	21 mm	25 mm	35 mm	40 mm	50 mm	75 mm	100 mm	135 mm	180 mm
Colour	Black
Mount	PL / LPL / EF
Aperture	T1.9-T22	T1.4-T22								T1.8-T22	T2.4-T22
Image Circle	φ46.5mm (VV/FF)
Construction of Optics	15 Elements in 12 Groups	15 Elements in 13 Groups	14 Elements in 12 Groups			13 Elements in 11 Groups	13 Elements in 9 Groups		13 Elements in 8 Groups	12 Elements in 8 Groups	12 Elements in 9 Groups
Flange Distance	52mm (PL) /44mm (EF)
Angle of view (horizontal, diagonal, vertical)	109° / 72° / 116°	97° / 61° / 104°	89° / 54° / 96°	80° / 47° / 87°	61° / 34° / 67°	56° / 31° / 61°	45° / 25° / 50°	30° / 16° / 34°	23° / 12° / 26°	17° / 9° / 19°	13° / 7° / 15°
Close Focus (from sensor plane)	0.28m / 11in	0.29m / 11in	0.33m / 1ft1in	0.35m / 1ft2in		0.4m / 1ft4in	0.5m / 1ft7in	0.75m / 2ft6in	0.9m / 2ft11in	0.98m/3ft3in	1.07m/3ft6in
Iris Control	Manual (65°)	Manual (76°)	Manual (77°)		Manual (80°)	Manual (83°)	Manual (80°)	Manual (82°)	Manual (90°)	Manual (88°)
Focus Control	Manual (270°)
Front Dia.	φ95mm/3.74"
Length (from lens front to flange plane)	121mm / 4.76''(PL) 129mm / 5.08"(EF)									130mm / 5.12" (PL) 138mm / 5.43" (LPL/EF)
Iris Blade	16
Filter Size	/		M86
Gear Pitch	0.8 Mod
Material	Aluminum Alloy
Weight (Product)	≈1646g	≈1663g	≈1500g	≈1490g	≈1650g	≈1633g	≈1688g	≈1662g	≈1830g	≈1846g	≈1675g